Interview with Alafair Burke
by Agnes A. Rose
Alafair Burke is one of the most
famous American crime novelists. She was born in Ford Lauderdale (Florida) and raised primarily in Wichita (Kansas). She is a professor of law and
legal commentator for radio and television programs. Alafair is the daughter of
acclaimed crime writer James Lee Burke. So far her books have been translated
into many languages. She traces her fascination with crime to the hunt for the
serial killer Dennis Lynn Rader, known as BTK (Blind, Torture, Kill), who was active
in Wichita during 1970s. In 2012 her novel
called “Long Gone” was published in Poland.
Agnes A. Rose: Alafair, thank you so much that you
accepted my invitation to this interview. At the beginning I would like to ask
you why you started writing crime fiction?
Alafair Burke: I came to writing after being a
reader my whole life and an avid fan of crime novels. I was working as a prosecutor in Portland, Oregon, reading crime novels in my spare
time, and I realized I worked everyday in a place that would make great a great
setting for a novel. I became yet another lawyer who wanted to write a book.
My first book, “Judgment Calls”, was
a fictionalized mash-up of two different cases I saw as a prosecutor. Since
then, the ideas haven't been as tied to identifiable cases, but there's no
question that I could not write about the world depicted in my novels if I
hadn't been a prosecutor.
Agnes A. Rose: Why are you interested in Dennis
Lynn Rader’s history? Does the serial killer’s life motivate you to create your
own fictional crime histories?
Alafair Burke: It’s not that one person or
anything about his background that interests me, but he was identified as a
serial killer who was active in Wichita, Kansas, when I was a little girl
there. My family moved to Wichita in 1978, just as the local police
department there was playing – and replaying – the tape-recorded voice of a
serial killer who called himself BTK. My parents had relocated us from southern
Florida with expectations of a quiet,
simple midwestern town. In many ways, we had that in Wichita, but always under the shadow of a
real-life boogeyman.
What made this man so terrifying was
that we knew so little about him and yet so much – Bind, Torture, Kill. We knew
he walked in and out of homes in the middle of the day, cut the phone cords,
and could calmly call 911 when it was all over. And we knew he could be anyone.
In crime fiction, there is always
closure. I don’t think it’s a coincidence that it was only after we moved to Kansas that I began pestering my
librarian-mother for more mystery stories.
Agnes A. Rose: As I mentioned above your father is
one of the most famous crime writer. I wonder if he sometimes advises you how
to write or how to create a perfect character to get your readers interested in
the book?
Alafair Burke: No.
We are very close and we talk about the business of writing, but he is
not a private writing coach. His biggest
influence was to write every single day, even when he wasn’t getting published.
I think that dedication shaped how I see writing. You’ve got to write for the right
reasons. There are much smarter and more lucrative ways to get a paycheck.
Agnes A. Rose: You are a lawyer. How does your law
career have an effect on your writing?
Alafair Burke: During my time at the DA's Office,
I not only learned about the culture of the courthouse, but I also worked out
of a police precinct for two years. I know the energy of those locations and
the natural rhythm of an investigation.
More generally, I think there’s a
reason so many lawyers and journalists go on to write fiction. These are jobs where you are flexing the
writing muscles everyday that many people stop using in school. Reporters and lawyers also learn how to weave
facts into a coherent narrative. You
know how to build the arc of a story and character.
Agnes A. Rose: How do you create your characters?
Are they all fictional? Or maybe some of them come from real life and live
around you?
Alafair Burke: Just as my first novel hewed more
closely to my day job, my first protagonist, Samantha Kincaid, was a fictionalized,
better version of myself. She is a prosecutor in the same office I worked. She
has a French bulldog, golfs, and runs (though much faster than I do). But you
can’t make every character have your same sensibilities and voice.
I come up with characters by watching
the world with empathy. I wonder what it’s like to be in someone else’s
skin. Sometimes those moments grab me,
and a character appears. When I hear from characters, I listen. I don't know
whether their stories will make it the page now or later, but I always know
it's worth listening.
Agnes A. Rose: The main characters of your books
are women. Why?
Alafair Burke: I’m not sure that’s entirely
true. Though the book jackets highlight
the names of the female characters, Ellie Hatcher’s partner, J.J. Rogan, and
her brother, Jess, are essential to those books. And in my standalones, large portions of the
books are written from the perspective of male characters. But you’re right that my books are very much
about the lives of women. Why wouldn’t
they be?
Agnes A. Rose: You are the author of two series of
crime novels – one featuring NYPD Detective Ellie Hatcher and the other Portland (Oregon) prosecutor Samantha Kincaid. Which
of these characters is closer to you and why?
Alafair Burke: Oh, that’s like asking me to pick
between my kids! Samantha is much more
like me on the surface, as I mentioned before. But Ellie has become like a best
friend, or maybe a conjoined twin. She’s different from me in almost every way,
but I completely understand her. I actually think I’ve learned things from
her. Does that sound insane?
Agnes A. Rose: The books telling about Ellie
Hatcher and Samantha Kincaid are very popular among your readers. Do you think
about writing another series of crime novels?
Alafair Burke: I never planned for Ellie Hatcher
to be a series character. She was the main character in Dead Connection, which
I thought would be a standalone. But
when I finished the novel, I knew I had to keep writing about her. So who knows what the future might hold.
|
Now "Long Gone" is the only book published in Poland |
Agnes A. Rose: In 2012 I read “Long Gone” and I
liked it very much. This is the first book you wrote as a stand alone novel.
Apart from that the main character – Alice Humphrey – is not a representative
of the law. What motivated you to write this fictional crime story?
Alafair Burke: Believe it or not, it was the
economy. Wait, wait, that makes her and the books sound really boring, doesn’t
it? Stay with me! I was reading all of these stories about unemployment – not
the numbers, but the psychological toll that prolonged unemployment brings. I
started thinking about the risks someone might be willing to take, just to have
a job. And I’d walk around New York, seeing all these closed store fronts and
started wondering what it would be like to show up to work one day and find
that everything was gone. From that came Alice Humphrey. After eight months of
unemployment, she’s desperate enough to take a job that sounds too good to be
true. And it turns out to be a big mistake. Voila! Book plot.
Agnes A. Rose: On your website your readers can
read that in last November Amazon selected your book “If You Were Here” as one
of the twenty best crime novels of 2013. Congratulations! What is special about
this fictional crime story: its characters or storyline? Or maybe something
else?
Alafair Burke: I guess you could say the story
came from my own marriage. My husband and I met despite completely non-overlapping
paths to New York City. I attended a tiny hippie
college in the Pacific Northwest before working as a prosecutor and then turning to writing. My husband
went to West
Point (the
US Military Academy) and served in the army before taking up security
management at the Metropolitan Museum of Art. Had we not met online, we may
never have met at all.
In real life, that lack of common
history made it fun to get to know each other from true scratch. But as a
writer who spends time occupying a fictional world, I have always wanted to
find a way to mine the potential for secrecy in a relationship where either
party could be lying about the past. How much do we each really know about the
lives the other led before we built one together? What events and people have
we chosen to filter from the present? I also felt ready to write about the post
West Point and private security cultures that
I’ve been privileged to learn about secondhand during my marriage. The world of
police officers and prosecutors has been such a big part of my previous books,
so trying to bring the same verisimilitude to the military and corporate
security was important to me.
From those thoughts came a book
about three people: McKenna Wright Jordan, a former prosecutor turned magazine
journalist; her husband, Patrick, a West Point graduate who runs security at
the Metropolitan Museum of Art; and Susan Hauptmann, their sole mutual friend.
Of course, because I love a good mystery, this relationship triangle had to
have a catch: Ten years earlier, Susan disappeared without a trace shortly
after introducing her two best friends.
Agnes A. Rose: You create female characters. So, I
wonder if your novels are read by men? If so, what do they think about your
work?
Alafair Burke: I’m told that about half of my
readers are men. People need to get over
the “I only read women” or “I don’t read women” nonsense. Some of the best
crime authors working today are women: Karin Slaughter, Laura Lippman, Lisa
Unger, Lisa Gardner, Tess Gerritsen. Anyone who says they like crime fiction
but doesn’t read at least someone on
that list is being silly.
Agnes A. Rose: Do you have your favourite part of
the writing process? If so, what is it?
Alafair Burke: Well, the beginning is the worst,
because that’s when I’m still finding the characters. Once I reach the middle, I really know these
people and get swept up in revealing the layers to their personality and the
(hopefully) surprising end to the story. And then when I type “the end,” it’s magical.
Agnes A. Rose: So far only “Long Gone” has been
published in Poland. Are there any plans to release
other your books in Poland?
Alafair Burke: I hope so! Thanks for helping to spread the word.
Agnes A. Rose: What do you read every day? Do you
have your favourite kind of literature or authors?
Alafair Burke: I still read 80 percent crime
fiction. Some favorites other than those above are Michael Connelly, Dennis
Lehane, Lee Child, and Harlan Coben. (These are all men since I already
mentioned some of my favorite women above.)
Agnes A. Rose: Where do you like to create your
fictional crime histories? Do you have your favourite place to write?
Alafair Burke: I can write just about anywhere
these days. I write primarily in my home office, but I also do a lot of writing
at a neighborhood pizza bar. I’ll go for
lunch then stay for hours, working until the evening crowd pulls in.
Agnes A. Rose: What are your plans for the nearest
future associated with writing? Are you working on a new novel?
Alafair Burke: I just finished a new book called “All
Day And Night”.
Agnes A. Rose: Is there anything you would like to
tell your Polish readers?
Alafair Burke: Read “Long Gone” and tell others
about it. I’d love to have more books translated into Polish!
Agnes A. Rose: Thank you so much for this
interview once again. I hope that Polish readers will be able to read more your
novels in the nearest future, not only “Long Gone”. Finally, I wish you further
success and many more great books.
If you want to read this interview in Polish, please click here